Feeds:
Posts
Comments

Archive for the ‘1’ Category

Richard Russo

In Richard Russo’s novel Chances Are . . . (Knopf, 2019), three onetime college friends, now in their mid-sixties, meet for a weekend reunion on Martha’s Vineyard. One of those friends is Mickey Girardi, Jr., who grew up in a “rough, working-class neighborhood in West Haven, Connecticut, famous for bodybuilders, Harleys and ethnic block parties.” A burly motorcyclist and aging rock musician, Mickey is haunted by the memory of his father.

Mickey Girardi, Sr., was a construction worker, an unshakeable patriot, and an unrelenting realist. A veteran of the Second World War, he believed that when “your country calls, you answer.” During the Vietnam War, when Mickey, Jr., received a low lottery number and was about to be drafted, his father conceded that it was “a foolish war” but reminded his son that “you don’t get to hold out for a just one.”  Should Mickey avoid the draft by fleeing to Canada, somebody else would have to “go in [his] place.” He would go himself, he declared, if he weren’t “a middle-aged pipefitter with a bum ticker.” When Mickey, Sr., died suddenly of a heart attack, his death hit his son “like a sledgehammer to the base of the skull.”

Four decades later, as he reflects on this early trauma, Mickey, Jr., comes to a profound realization: “His father’s greatness, what made the man worth emulating, was his ability to love what he’d been given, what had been thrust upon him, what he had little choice but to accept.” Mickey, Sr., had disliked the Army and was not a war hero. What distinguished him and earned his son’s eventual admiration was valor of another kind: his capacity to accept the realities in which he found himself and respond accordingly. (more…)

Read Full Post »

Bonnie Booman

On Saturday, August 31, in a memorial service for the late Bonnie Booman (1954-2019), the Reverend Laurie DeMott invoked the Buddhist metaphor of Indra’s Net to characterize Bonnie’s life and work. The metaphor was as timely as it was apt. Not only did it commemorate the life of a gentle teacher, whose patience, care, and imaginative insight inspired her students and exerted a beneficent influence on her community. In its wider implications, this ancient metaphor offered a potent antidote to the divisive spirit of our times, being at once an emblem of interconnectedness, interdependence, and the selfless nature of all conditioned things. (more…)

Read Full Post »

“I’m on fire!” exclaimed the tall young man shooting hoops in the gym.

It was a winter afternoon. He and I and a student monitor were the only occupants of the Joyce and Walton Family Center for Health and Wellness, a spacious facility at Alfred University. He was single-mindedly honing his skills, and I was walking at a relaxed, moderate pace around the courts. Hearing his words, I looked over in his direction, nodded, and went on my way. Moments later, I heard the pleasing swish of the ball dropping through the hoop. And then another, and another.

Not long afterward, as I was completing another round, I watched the ball make a high, graceful arc and drop cleanly through the basket, not touching the rim. This time I raised a thumb. Seeing me, he called out, “We’re a team!”

Coming around a third time, I watched my newly acquired teammate making shot after shot, not missing a beat. Once again I nodded, and his face broke into a smile. “You stay right there!” he called out good-naturedly, pointing to where I was walking, as if my presence were the secret of his continuing success. (more…)

Read Full Post »

“Everything we have is disposable,” lamented Brian Milo, a former autoworker at the G.M. plant in Lordstown, Ohio, in an interview with Sabrina Tavernese of the New York Times (July 5, 2019). “Everything is made cheap and disposable. And I think that trickles down into our daily lives. I mean, you see marriage success rates are down. Things are disposable, even on a human level. I mean, I’m an employee, I’m disposable.” Milo lost his livelihood when sales of the Chevrolet Cruze, the principal product of the Lordstown plant, fell precipitously, and G.M. eliminated 5,000 jobs. Adding insult to financial injury, the company notified its workers of their termination through impersonal, unsigned letters. Milo had been a loyal employee for ten years. What caused him to feel disposable was not only G.M.’s decision but the manner in which it was handled. Conspicuously absent was a quality essential to harmonious human relations. (more…)

Read Full Post »

Charlotte Joko Beck

In the popular imagination, Zen practice consists of sitting cross-legged, preferably on a mountain or within the confines of a monastery, in a state of perfect calm. His hands positioned in the “cosmic mudra” and a beatific smile on his face, the Zen Buddhist practitioner sits at a comfortable remove from the petty conflicts and mundane concerns of ordinary life. In a word, he is detached. He has transcended the human fray.

This stereotypical image of Buddhist practice has widespread currency, even among the intellectual elite. A recent manifestation may be found in the Swedish philosopher Martin Hägglund’s book This Life: Secular Life and Spiritual Freedom (Pantheon, 2019), where the author defines the general aim of Buddhism as “a detachment from everything that is finite.” Reviewing this book in The New Yorker (May 13, 2019), staff writer James Wood endorses Hägglund’s view, alluding vaguely to “those doctrinal aspects of Buddhism which insist on detachment.” “Everything that is finite,” one might note, is a very large category. Not only does it include buildings and boulevards, mountains and rivers, rocks and trees. It also includes one’s family, friends, and loved ones generally. Why on earth would anyone wish to be so detached? If that is what Zen is about, one might conclude, so much the worse for Zen. (more…)

Read Full Post »

The poet William Butler Yeats (1865-1939) hated being old. In his late poem “Sailing to Byzantium,” written when Yeats was in his early sixties, he described an “aged man” as “but a paltry thing, / A tattered coat upon a stick . . .” And in “The Tower,” a poem of the same vintage, he likened the “absurdity” of “decrepit age” to a battered kettle tied to a dog’s tail. Invoking the traditional duality of body and soul, Yeats contrasted his “passionate, fantastical / Imagination” with the humiliations of physical decline. By common consent, Yeats’s late poems are among his finest, but the agon they so memorably dramatize is that of an aging artist resisting with all his imaginative might those inevitable changes that happen to us all.

Zen teachings also address those changes, but they offer a very different perspective. Nowhere is that perspective more concretely articulated or more forcefully asserted than in the litany of home truths known as the Five Remembrances. Here is Thich Nhat Hanh’s translation: (more…)

Read Full Post »

Shinge Sherry Chayat Roshi

“It’s so not like that.”

Such was the response of Shinge Sherry Chayat Roshi, Abbot of the Zen Center of Syracuse, to a comment I’d made a moment earlier. At the time, we were midway through a private interview—one of the face-to-face encounters between student and teacher that are a staple of Zen training. It was the third day of an extended retreat at the Zen Center of Syracuse, and I was one of more than thirty practitioners in attendance. In keeping with Zen custom, Shinge Roshi, then in her sixties, was giving dokusan, as it is called, to each of us in succession. She was also overseeing the retreat, conducting formal services, and offering erudite talks on Zen topics. Remembering my own experience as an academic advisor, in which I sometimes met with six or more students in a two-hour period, I remarked that she must be tired, if not exhausted. “It’s so not like that,” she replied, going on to explain that she loved what she was doing, and, far from exhausting her, the work replenished her reserves.

In her conspicuous resilience, as in her seemingly limitless energy, Shinge Roshi exemplified a quality of heart and mind essential to Zen practice. At once a precondition and a benefit of long-term practice, that quality is known in Zen circles as virya paramita, the fourth of the Six Perfections of Wisdom. Virya paramita is commonly translated as “energy” or “effort,” but the full meaning of this Sanskrit term is more nuanced than those conventional translations might imply. The multidimensional nature of virya can be seen in the contrasting perspectives of three influential Zen teachers of our time. Each gives the word and its referent a distinctively different coloration. (more…)

Read Full Post »

800px-Sweden._Doll_02One afternoon not long ago, my five-year-old granddaughter taught the basics of sitting meditation to her red-haired doll, Pippi Longstocking. Being a rag doll, Pippi is not very good at sitting upright, so after repeated attempts, Allegra allowed her to lie down. “I know you can do this,” she explained to Pippi, “but since this is your first day, I want you to be a little comfortable with what it feels like instead of what it looks like.” With Pippi lying flat on her back, Allegra proceeded with her lesson. “You just have to listen to your breathing,” she advised.

If you are familiar with the stories of Pippi Longstocking, you might agree that Astrid Lindgren’s rambunctious nine-year-old heroine, who is physically strong but conspicuously lacking in tact, could use a bit of meditation in her life. But in addition to teaching Pippi how to meditate, Allegra was also demonstrating by example a quality much prized in the Zen tradition. Known by its Sanskrit name of kshanti paramita (pron. kuh-SHAWN-ti pear-uh-ME-tuh), it is the Third Perfection of Wisdom to which serious Zen practitioners aspire. At once conceptually complex and emotionally challenging, it comprises three principal dimensions, each of them integral to the whole. (more…)

Read Full Post »

“Ray of Hope” impatiens

On this cold morning in February, I’m remembering my last conversation with my father. At the time, he was sixty-five years old. He had retired early the year before, having received a diagnosis of metastatic cancer. Now he lay in a hospital bed, his once-sturdy body reduced by chemotherapy. Although he did not know for certain that he was dying—no one had definitively told him so—he knew that he wasn’t getting any better. Much of our conversation centered on the past: on our shared experiences, our conflicting political views, his wish that he could have better provided for his family. But when our focus turned to the future, and the word hope arose, I remarked without much thought that he might be “hoping for the wrong things.” My remark unsettled him. “I just hoped to enjoy my retirement and my grandchildren,” he replied. “What’s wrong with that?”

Over the ensuing decades I have often regretted my remark. At the very least, it was less than wise. At worst, it was insensitive and unintentionally unkind. Who was I, at the untried age of twenty-six, to be advising my father? To be suggesting what, if anything, he should or shouldn’t hope for? Now that I am well beyond his age at the time, I am far less certain of what any of us should hope for, if hope we must, especially in later life. Turning to Zen teachings for guidance, I find contrasting perspectives, some of them more useful than others. (more…)

Read Full Post »

Bill Bryson

Of the many American brand names that have infiltrated the English language—kleenex, aspirin, q-tips, to name a few—none has enjoyed greater success than the word Kodak. Properly capitalized, Kodak originated as the trade name of an inexpensive camera invented by George Eastman of Rochester, New York. As Eastman’s revolutionary invention burgeoned in popularity, kodak became a common noun and a generic term for camera. Yet, for all its eventual currency, Kodak had the least auspicious of origins. The word was coined by Eastman and his mother in 1888 with the aid of an anagram set and three guiding principles. First, the word had to be short. Second, it had to be easily pronounced. And third, it should not resemble any other word or be associated with anything other than the Eastman family business. Kodak, in other words, was conjured out of thin air and meant precisely nothing. (more…)

Read Full Post »

« Newer Posts - Older Posts »