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Posts Tagged ‘kinhin’

John Burroughs

“To learn something new,” wrote the American naturalist John Burroughs (1837-1921),”take the path that you took yesterday.”

As resonant as it is paradoxical, Burroughs’s remark has survived in our public discourse for more than a century. Only last year, the essayist Pico Iyer quoted it in Autumn Light, his meditation on impermanence in Japanese culture. On first hearing, Burroughs’s observation may seem puzzling, if not willfully obscure. Duly considered, however, it has the ring of half-concealed truth. And it closely accords with a cardinal principle of Zen practice. (more…)

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“I’m on fire!” exclaimed the tall young man shooting hoops in the gym.

It was a winter afternoon. He and I and a student monitor were the only occupants of the Joyce and Walton Family Center for Health and Wellness, a spacious facility at Alfred University. He was single-mindedly honing his skills, and I was walking at a relaxed, moderate pace around the courts. Hearing his words, I looked over in his direction, nodded, and went on my way. Moments later, I heard the pleasing swish of the ball dropping through the hoop. And then another, and another.

Not long afterward, as I was completing another round, I watched the ball make a high, graceful arc and drop cleanly through the basket, not touching the rim. This time I raised a thumb. Seeing me, he called out, “We’re a team!”

Coming around a third time, I watched my newly acquired teammate making shot after shot, not missing a beat. Once again I nodded, and his face broke into a smile. “You stay right there!” he called out good-naturedly, pointing to where I was walking, as if my presence were the secret of his continuing success. (more…)

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Path of stone over water, Nanjing, South of China

If you have ever sung in a choir, you know that certain disciplines apply. You must sit up straight at the edge of your chair. You must breathe from the diaphragm. And you must open your mouth more widely than you otherwise would—widely enough to accommodate three fingers. Although these principles are simple, it is easy to forget them, especially if your mind is elsewhere.

Such was the case one morning in 1961, when I and other members of the Clinton High School A Cappella Choir sat upright at the edge of our chairs, rehearsing Michael Pretorius’s beautiful carol “Lo, How a Rose E’er Blooming.” Leading us was our director, John De Haan, a tall, ruggedly-built man with a gentle but commanding presence. Glancing in my direction, he noticed my half-open mouth. “Open your mouth, Ben,” he said, quietly but firmly, in his deep bass voice. “This is my life’s work.” (more…)

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