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Posts Tagged ‘ichigo ichie’

Ummon Bun'en Drawing by Hakuin Ekaku

Ummon Bun’en
Drawing by Hakuin Ekaku

Among the cryptic sayings associated with the Zen tradition, none is better known than that of Ummon Bun’en (862-949), who famously declared that “every day is a good day.” Yeah, right, the weary, seasoned mind replies. Tell that to the commuter caught in gridlock or the stressed-out parent nursing a sick child. Superficially construed, Ummon’s remark sounds both naive and culpably aloof.

Yet, if examined in the light of Zen teachings, this adage is neither foolish nor untrue. The key component of Case 6 of the Blue Cliff Record, a classic collection of Zen koans, Ummon’s pronouncement is a fiction that points to an underlying reality, a construct that discloses a deeper truth. If we wish to probe that truth, we can consult the host of commentaries Case 6 has accrued, beginning with that of Hakuin Ekaku (1686-1768), compiler of Zen koans, who called this particular koan “cold,” meaning austere and challenging to contemplate. But if we wish to explore Ummon’s saying in a warmer light, we can begin by reflecting on how we know, or think we know, the things of this world, and how we determine whether a given day is good or bad. (more…)

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ScribbleLast month the holiday season brought three small grandchildren to our home. Jack is six, Isla three, and Allegra two. Three may well be a crowd, but apart from an upset or two, this trio of tots played harmoniously together, and their brief presence brightened our lives.

A few days after the children and their parents had departed, I retired to my study to read a book I had bought just before the holidays: The Essential Brendan Kennelly, a richly varied selection of the Irish poet’s work, published on the occasion of his 75th birthday. I had left the book on a low table next to my reading chair. When I opened it, I found to my surprise a waxy red scribble on the title page. Someone had left me a souvenir.

Although I am not one to condone the defacing of books, I was amused by this discovery, and I suspect that Brendan Kennelly would be as well. One of Kennelly’s best-known poems, “Poem from a Three Year Old,” speaks in the voice of a child. Its exuberant verses dramatize the spirit of play, the incessant questioning, and the moments of wonder intrinsic to childhood. “The first moment of wonder,” Kennelly has remarked, “is an amazing moment, as if for the first time something is happening. And that is the moment on which poetry depends.” There is a “strange thing” in us, Kennelly asserts, that is destroyed by familiarity and experience. But through the successive acts of attention that constitute an authentic poem, the familiar can again become strange and the sense of wonder restored. “And I think that’s what poetry is about–a kind of permanent beginning.” (more…)

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Chevy interior cropped“Put it in neutral, Bud,” my father said, quietly but firmly. It was the summer of 1958, and I was learning to drive. The car was a 1950 Chevrolet sedan with a three-speed transmission and the gearshift lever on the steering column. “Three on the Tree,” it was called. Learning to put the lever and the Chevy itself into neutral was my first lesson.

It might also be the first lesson for the Zen practitioner. Wherever else it might lead, the practice of Zen meditation begins with finding, establishing, and maintaining a neutral center, both for the body and the mind. Neutrality may well be the body-mind’s most natural condition, but for many people it is far from habitual. In a culture as competitive as ours, neutrality is often not an option, much less a state to be cultivated and explored. To do so requires training and sustained attention (more…)

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Amish_-_On_the_way_to_school_by_Gadjoboy-cropIn his poignant essay “The Old Order,” the Irish-American writer James Silas Rogers recalls his conversation on an Amtrak train with a young Amish man named Johann, who was crossing Wisconsin with his extended family. Curious about Amish faith and belief, Rogers inquired as to the significance of Johann’s distinctive attire: his plain shirt, suspenders, and broadfall trousers. “People ask us,” Johann replied, “if we think that wearing these clothes will get us into heaven. We absolutely do not. . . . But I do know that if I wear these clothes, it will keep me out of places where I should not go.”*

Reading Johann’s explanation, I was reminded of formal Zen practice, which also employs special clothes to remind practitioners of their moral commitments. In Japanese Zen, one of the most conspicuous of those clothes is the rakusu, a bib-like garment worn (and often hand-sewn) by those who have “taken the precepts,” which is to say, have publicly affirmed a set of ethical guidelines. Known as the “jukai precepts,” those guidelines differ from sect to sect, but in essence they enjoin the Zen disciple to refrain from harmful behaviors, particularly killing, stealing, engaging in false or injurious speech, using sexuality in hurtful ways, and abusing intoxicants. The unadorned rakusu, viewed as a miniature monastic robe and inscribed on the back with its wearer’s “dharma name,” signifies a commitment to that fundamental code of conduct. (more…)

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800px-Red_River_of_New_Mexico_Picture_2010For more than four decades Joseph Goldstein, an internationally known teacher of Buddhist meditation, has practiced mindfulness of the body and mind. First as a monk in the Thai forest tradition and later as a Western practitioner, he has trained himself to be aware of what is occurring, within and without, in any given moment. Yet one afternoon, while walking along a river in northern New Mexico, Goldstein slipped on a wet rock and hyper-extended his knee. At the time, he was conducting a retreat, and later on that day, after giving a talk in the cross-legged position, he found himself unable to stand or walk. For the next few hours he berated himself and worried that he would not be able to complete the retreat. But in the midst of his anguish, he reports, a “sort of mantra” arose in his mind: Anything can happen anytime. To his surprise, that “mantra” provided a great sense of relief. Since then, he has found it “amazingly helpful in accepting change with a deepening and easeful equanimity.”* (more…)

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Roshi Pat Enkyo O'Hara

Roshi Pat Enkyo O’Hara

“Do not lose yourself in the future,” Buddhist teachings advise. “Look deeply at life as it is in this very moment.” Under most circumstances that is sound advice, but it can also be devilishly difficult to follow. It is human nature to dwell on the future, especially when the future is replete with uncertainties.

So it was not long ago, when I learned that I needed minor surgery, and I met with my surgeon for a pre-op consultation. A seasoned professional in his sixties, he explained the nature of the procedure, including its history and technical details, and outlined the stages of recovery. During the first week, I would be laid up and managing pain, but by the second I would probably be feeling “fifty percent better.” By the end of the third, I might well be free of pain, though patients sometimes report “nuisance discomfort.” Six to eight weeks out, I would probably be able to resume my customary activities.

That forecast was reassuring, but by their nature forecasts focus on the future, and they leave open the question of what the patient, his eyes on the horizon, should be doing in the meantime. In a recent article (Prevention, January, 2014), Sister Dang Nghiem, MD, a Western-trained physician and a Buddhist nun, offers this prescription: (more…)

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Thich Nhat Hanh

Thich Nhat Hanh

We can throw away a soiled tissue. We can throw away Q-tips, outdated appliances, and countless other items in our everyday lives. But can we also discard our ill-founded thoughts and one-sided perceptions? Our cherished notions?

According to classical Buddhist teachings, many if not most of our perceptions are erroneous, and erroneous perceptions cause suffering. “Looking deeply into the wrong perceptions, ideas, and notions that are at the base of our suffering,” writes Zen master Thich Nhat Hanh, “is the most important practice in Buddhist meditation.” And correspondingly, “the practice of throwing away your notions and views is so important. Liberation will not be possible without this throwing away.” Yet, as Thich Nhat Hanh goes on to say, “it takes insight and courage to throw away an idea.” Views we have held for decades–or perhaps for a lifetime–are not so easily disposed of, especially when they appear to have served us well. (more…)

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SelfieOver the past few years the digital self-portrait has come into its own. Decried by some as a symptom of narcissism, celebrated by others as a vehicle of self-empowerment, the so-called “selfie” has assumed center stage, not only in social media but in the media at large. Ellen DeGeneres’ “group selfie,” spontaneously snapped at the Oscars, may well be the world’s most widely viewed example, but it is literally one among millions.

In another decade or two, we may find out whether the selfie was a fad, a portent of a cultural shift, or something else entirely. But from the vantage point of Zen teachings, the ubiquitous selfie, shot in a mirror or from an outstretched hand, offers what is known as a “dharma gate”: a point of entry into a deeper truth. “To study the way,” wrote the thirteenth-century Zen master Eihei Dogen, “is to study the self.” And the phenomenon of the selfie, however superficial it may seem, provides an opportunity to do just that. (more…)

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The Crown Bar Belfast, Northern Ireland

The Crown Bar
Belfast, Northern Ireland

“For Ben Howard, well met in Belfast, July, 2004.”

So wrote a gentlemanly Irish poet, whose work I had long admired, in the flyleaf of his most recent book. At the time, he and I were having lunch in the upstairs dining room of the Crown Liquor Saloon, a storied old pub in the heart of Belfast, Northern Ireland. I had come up on the train from Dublin to meet him.

Of the many inscriptions I have acquired over the years, few have proved as memorable as the one above, partly because the poet’s chosen phrase, faintly archaic but resonantly apt, sorted well with the Crown’s Victorian decor–its ornate tin ceilings, stained-glass windows, and dark-paneled “snugs.” Regrettably, “well-met” is no longer current in North America, either as a description or a greeting. Once the equivalent of “Nice to have met you,” that old-fashioned phrase evokes a singular event: two people meeting, in the fullness of human relationship, at a particular place and time. (more…)

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Original calligraphy by the Ven. Thich Nhat Hanh.

Original calligraphy by the Ven. Thich Nhat Hanh

“Support for NPR,” announced National Public Radio’s Sabrina Farhi during the holiday season, “comes from Pajamagram, makers of matching holiday pajamas for the whole family, including dogs and cats.” After listing several other sponsors, Ms. Farhi concluded with a single declarative sentence:          “This . . . (pause),” said she,  “is NPR.” She might have been delivering a dramatic monologue, so pronounced was her emphasis on this and so protracted the ensuing pause.

Ms. Farhi has since abandoned that mannerism, but its temporary recurrence on Morning Edition, morning after morning, brought to mind the prominence of the word this, similarly isolated, in the Zen tradition. Generally speaking, in Zen practice this refers to undifferentiated reality, prior to the imposition of conceptual thought. “Just this,” a phrase familiar to Zen students, is what we experience when we penetrate the filter created by dualistic concepts, particularly such ego-centered dualities as “self/other,” “I/they,” and “mine/not mine.” To remain in continuous contact with this, while also questioning its nature, is central to Zen practice. And to lose touch with or misconstrue the nature of this is likely to bring suffering upon oneself and others. (more…)

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