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Posts Tagged ‘Shohaku Okumura’

Mary Oliver

“Attention,” wrote the poet Mary Oliver (1935-2019), “is the beginning of devotion.”

Oliver’s bold assertion appears at the end of her lyrical essay “Upstream,” the title essay in her 2016 collection. In the preceding paragraph, she implores her readers to introduce children to the sensuous delights of the natural world:

Teach the children. . . . Show them the daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones—inkberry, lamb’s quarters, blueberries. And the aromatic ones—rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit.

Thus instructed, children may “learn to love this green space they live in.” But they must first learn to pay attention. (more…)

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The Four Great Bodhisattva Vows, Rinzai Zen version

If you are a connoisseur of proverbial wisdom, you know which road is paved with good intentions. And if you’ve ever bestowed a well-intentioned gift, only to find it unwanted and unappreciated, you may be forgiven for suspecting that good intentions, especially those that ignore actual conditions and circumstances, may be as unavailing as last year’s New Year’s resolutions.

In the popular imagination, Zen is sometimes viewed as a philosophy of “going with the flow.” Rather than impose our narrow intentions on things as they are, we should relax and let events unfold of their own accord. Such a view is not without a basis in Zen teachings. No less an authority than Shunryu Suzuki Roshi, in his classic Zen Mind, Beginner’s Mind, asserts that “the true purpose” of Zen is “to see things as they are, to observe things as they are, and to let everything go as it goes.” But in the foundational teachings of the Buddhist tradition, of which Zen is a late flowering, the issue of intentionality plays a pivotal role. “The thought becomes an intention,” the Buddha is reported to have said, “the intention manifests as an action, the action develops into habit, and habit hardens into character. Therefore watch closely the thought and let it spring from concern for all beings.” Far from being extraneous or antithetical, intentions and their manifestation in action, habit, and character lie close to the heart of Zen practice. (more…)

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One Sunday morning, a lifetime ago, I sat with my family in the First Methodist Church in Clinton, Iowa. The pew was hard, as if designed to punish us for our sins. Our black-frocked minister was well into his latest long-winded sermon, but I wasn’t listening. My attention was riveted on the elderly man in the pew ahead of me.

On the nape of his leathery neck, deep creases had etched an elongated “X.” Whenever he bowed his head, the creases would recede. When he looked up again, they would re-emerge. As the service continued, these marks of age and experience exhibited various degrees of depth and prominence. During the responsive readings, they nearly vanished. During the singing of the Doxology, which he probably knew by heart, they stood out boldly, like furrows in a freshly plowed field. (more…)

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A few months ago, our bathroom wall clock ticked its last. Shopping online for a replacement, I settled on a contemporary Hito analog clock, with a stark white face, plain Arabic numerals, and a stainless-steel rim. The size and shape of a pie plate, our new timepiece incorporates a thermometer and hygrometer, both of them reliably inaccurate. But it also possesses two additional features, which together make its presence distinctive, compelling, and curiously unsettling.

Nowadays, most wall clocks tick. The tick may be as soft as a heartbeat—or loud enough to keep a light sleeper awake. By contrast, the Hito makes no sound at all. Advertised as a “silent, non-ticking” clock, it lives up to that description. If you wish to be aware of time’s winged chariot hurrying near, you must employ your eyes rather than your ears.

Should you do so, you will discover the Hito’s other distinguishing feature: a needle-thin second hand that never stops. Moving smoothly and continuously above the two main hands, it brings to mind the flow of sand through a nineteenth-century hourglass. Combined with the eerie silence of its movement, this concrete reminder of time passing leaves an impression of time itself as objective, inexorable, and unnervingly swift.  And by so doing, it evokes three realities that Zen teachings admonish us to remember, lest we live in ignorance and delusion. (more…)

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Shohaku Okumura

Shohaku Okumura

“I live in America as a foreigner and need a great deal of patience,” writes Shohaku Okumura Roshi, a respected Zen scholar, priest, and teacher who lives in Bloomington, Indiana. In the United States, he explains, “the spiritual and cultural backgrounds are very different from Japan.” And actually, he adds, “any two people who live and work together will sometimes have conflicts and need to practice patience.”

Like other spiritual traditions, Zen Buddhism accords the mental factor of patience a place of honor in its hierarchy of values. By cultivating and exercising patience, we forestall unnecessary suffering. By developing patience as a quality of heart and mind, we avoid causing harm to others and ourselves. With that end in view, Zen teachings offer a wealth of insights and practices, which those willing to make the effort can incorporate into their everyday lives. Four of the most helpful might be summarized as follows. (more…)

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800px-Blue_Cliff_Monastery_-_3In its most common usage, the word intimacy hardly suggests a spiritual context. Enter the word in your browser, and you are likely to turn up references to the bedroom, the boudoir, and Britney Spears’ line of designer lingerie. Yet the root of intimate, from which intimacy derives, is the Latin intimus, which means “inmost.” And a desire for true intimacy–for connection with one’s inmost nature–is fundamental to many spiritual traditions, Zen Buddhism included. “Intimacy,” writes the Zen teacher Jakusho Kwong, “is at the heart of all of Zen.” (more…)

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SelfieOver the past few years the digital self-portrait has come into its own. Decried by some as a symptom of narcissism, celebrated by others as a vehicle of self-empowerment, the so-called “selfie” has assumed center stage, not only in social media but in the media at large. Ellen DeGeneres’ “group selfie,” spontaneously snapped at the Oscars, may well be the world’s most widely viewed example, but it is literally one among millions.

In another decade or two, we may find out whether the selfie was a fad, a portent of a cultural shift, or something else entirely. But from the vantage point of Zen teachings, the ubiquitous selfie, shot in a mirror or from an outstretched hand, offers what is known as a “dharma gate”: a point of entry into a deeper truth. “To study the way,” wrote the thirteenth-century Zen master Eihei Dogen, “is to study the self.” And the phenomenon of the selfie, however superficial it may seem, provides an opportunity to do just that. (more…)

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RED TWIG Winter 2014Twelve years ago, my wife and I planted a row of Red Twig Dogwoods on the western border of our back yard. They are now more than twelve feet tall. As I look out on this cold winter morning, I notice again how the dogwoods’ deep-red branches contrast with the prevailing whites, grays, and browns. Against a dormant and seemingly lifeless landscape, they remind us of the life force.

The poet Gerard Manley Hopkins called that force “the dearest freshness deep down things.” Dylan Thomas called it “the force that through the green fuse drives the flower.” More simply, the Zen teacher Shohaku Okumura, in his book Living by Vow,* calls it the “natural universal life force,” which appears most vividly in nature but is common to the natural and human worlds alike. “The force that drives the water through the rock,” Thomas went on to say, “drives my red blood.” “We are all connected,” writes Okumura, “one universal life force.” (more…)

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