Feeds:
Posts
Comments

Archive for the ‘neuroscience’ Category

800px-Norman_Fischer_3

Zoketsu Norman Fischer

“Why do we like being Irish?” asks the Irish poet Louis MacNeice (1907-1963) in his poem Autumn Journal (1939). In subsequent lines, he answers his own question:

Partly because

      It gives us a hold on the sentimental English

As members of a world that never was,

      Baptized with fairy water;

And partly because Ireland is small enough

     To be still thought of with a family feeling,

And because the waves are rough

     That split her from a more commercial culture;

And because one feels that here at least one can

     Do local work which is not at the world’s mercy

And that on this tiny stage with luck a man

     Might see the end of one particular action.

Because Ireland is a relatively small country, and because in MacNeice’s time families tended to stay put for as long as economic conditions allowed, Irish people could reasonably hope to see the “end”–the consequences as well as the completion–of any particular action. (more…)

Read Full Post »

BACKYARDOne afternoon a few summers ago, I decided to practice the guitar on our backyard deck. It was a sunny day, the temperature in the mid-seventies. At the time, I was revisiting the Prelude from J.S. Bach’s Prelude, Fugue, and Allegro (BWV 998), a piece I had played for years and knew by heart. Normally, I practice indoors, my eyes fixed on the score. If I’ve memorized the piece, I tend to stare at the fingerboard, as classical guitarists are prone to do. That afternoon, however, I looked out at our spacious and secluded backyard, where the natural world was vividly in motion. Blue jays were foraging in the grass. Leaves quivered in a light wind. High in a tall pine, a dark bird flew in, perched for a moment, and flew out. As I played the first few bars of the Prelude–a lyrical but technically challenging piece–my eyes came to rest on our Curly Willow tree in the middle distance. At the same time, I remained keenly aware of all the peripheral movement. And as I proceeded into the Prelude, I gradually realized that my playing had become more fluent and relaxed. To my surprise, it had also become more accurate, expressive, and rhythmically precise.

That experience was new to me, but it was hardly my invention. Without knowledge or systematic training, I had stumbled upon a technique known to equestrians, martial artists, and other highly skilled performers as “soft eyes.” “Do you know what you need at a crime scene?” asks Detective Bunk Moreland in The Wire. “Rubber gloves?” ventures Detective Kima Greggs. “Soft eyes,” Moreland replies. “You got soft eyes, you see the whole thing.” In essence an integration of peripheral and foeval (central, line-of-sight) vision, the technique of soft eyes is used in fields as diverse as tracking, performance driving, interior decorating, teaching, yoga, and Akido. The personal and social benefits of this technique can be significant, if not transformative. It can permit us at any moment to see “the whole thing.” Yet in obvious ways, the practice of soft eyes runs counter to the prevalence of “hard eyes”–the type of vision we habitually employ when chopping a carrot or threading a needle or working at a computer. To learn to look with soft eyes may require conscious effort. (more…)

Read Full Post »

Cortical Columns      Greg A. Dunn

Cortical Columns
Greg A. Dunn

It’s no great mystery, my friend used to say. He was a gifted mechanic and a natural handyman. How do you replace and properly gap the spark plugs on a ’63 Ford pickup? It’s no great mystery. Just read the manual. How do you fix a leaking toilet? Rewire an electrical outlet? No problem. And no great mystery either.

In practical terms, my friend may have been right, but in ultimate terms, he was wide of the mark. O Magnum Mysterium (“O Great Mystery”), a responsorial chant in the Roman Catholic Christmas Mass, celebrates the mystery of Jesus’ birth in a lowly manger. In its reverence for the ineffable, as manifest in humble environs, that sacred text shares common ground with Zen teachings, which enjoin us to hearken, in a spirit of “not-knowing,” to the hidden, unknowable, and indescribable dimension of ordinary life. (more…)

Read Full Post »