Of what may we be certain? In the vast cosmos, as in our circumscribed private lives, what is predictable and what is not? Between the expected and the unexpected, where does the balance lie?
Some fifty years ago, in an essay entitled “The Unexpected Universe,” the distinguished anthropologist Loren Eiseley (1907-1977) eloquently addressed those questions. Recalling a remark by the nineteenth-century German scientist Heinrich Hertz, who believed that “knowledge of nature” would enable us to predict future events and arrange our present affairs accordingly, Eiseley contrasted Hertz’s confident outlook with that of a previous era:
Hertz’s remark seems to offer surcease from uncertainty, power contained, the universe understood, the future apprehended before its emergence. The previous Elizabethan age, by contrast, had often attached to its legal documents a humble obeisance to life’s uncertainties expressed in the phrase “by the mutability of fortune and favor.” The men of Shakespeare’s century may have known less of science, but they knew only too well what unexpected overthrow was implied in the frown of a monarch or a breath of the plague. [1]
Among the many resonant phrases in this passage, one in particular stands out. In speaking of a “humble obeisance to life’s uncertainties,” Eiseley evokes the courtly manners of Elizabethan England. Beyond that, he invokes an outlook as foreign to our own time as Shakespeare’s diction is to contemporary English.
For centuries the world’s great spiritual traditions, Zen Buddhism included, have warned against pride and encouraged humility. Pride goeth before destruction. The meek shall inherit the earth. In classical Zen teachings, however, pride and humility are rarely discussed in terms of sin or virtue. Rather, they are understood to be the symptoms, respectively, of ignorance and awakening. “Form is emptiness, emptiness form,” the Heart Sutra tells us: the form we call the self is empty of a separate, intrinsic existence. Like a wave on the ocean or a whirlpool in a stream, the self exists, but it is no more solid than it is immutable. To be proud of that contingent self, to imagine its being apart from and superior to the stream of life, is to harbor a foolish notion and often to bring harm upon oneself and others. Yet the root cause of suffering lies not in self-pride but in what Buddhism calls a fundamental ignorance of reality. And contrariwise, the realization (through the practice of meditation) of the emptiness of self fosters a humbler view of one’s place in the world. Meditation engenders wisdom, and wisdom engenders humility.
To cultivate the wisdom of humility, of course, is not necessarily to embrace obeisance. The word obeisance, which derives from “obey” and refers to such gestures as bows and curtsies, has become rare if not archaic. And so has the concept itself, insofar as it connotes deference to a human authority. In Zen practice, a kind of obeisance is expressed through the bow known as gassho, palms pressed together, and especially through prostrations, which constitute an integral part of Zen liturgy. For many people bows present no particular problem, but even committed Zen practitioners sometimes resist the formal prostration, forehead touching the floor, which the fourteenth-century Zen master Bassui Tokusho described as “a way of horizontalizing the mast of ego in order to realize the Buddha-nature.”[2] No less an adept than Philip Kapleau Roshi, founder of the Rochester Zen Center, described how much he resisted prostrating himself before his Japanese teacher during his first formal interview. “How that went against my grain,” he recalled, “and how I resisted it! Why should I bow down before another human being?” [3] Sometime later, having sensed his student’s resistance, Kapleau’s teacher explained that in performing a prostration Kaplaeu was bowing not to his teacher but to his own “Buddha-nature.” That “revelation,” Kapleau reported, resolved his dilemma. And later, as a teacher himself, he fully endorsed the practice of prostrations. “When entered into sincerely,” he contended, “[they] are a source of spiritual nourishment that everyone, awakened or not, can tap.” [4]
Perhaps so. But if, as denizens of a democratic, individualistic culture, we can manage to bow to our better natures, can we also bow to “life’s uncertainties”? To borrow a phrase from Alan Watts, can we embody the wisdom of insecurity?
Toward that end Zen teachings offer a practice called “not-knowing,” or, in its Korean formulation, “Don’t-know mind.” In this practice we sit still, become aware of our breathing, and repeatedly ask the question, “What is this?” followed by the statement “I don’t know.” By so doing, we cut through easy answers and habitual responses, becoming ever more intimate with the present reality. Simultaneously, we train ourselves to accept uncertainty and its attendant anxiety.
Not-knowing” is a difficult practice under any circumstances, but it is especially so when transported from the meditation hall into the uncertainties of everyday life. It is one thing to contemplate the idea of “life’s uncertainties” on the meditation cushion. It is quite another to do so while waiting for the results of a biopsy or a loved one’s MRI. Yet over time, the practice of “not-knowing” can fortify us against such crises, in the same way that a muscle can be strengthened through physical training.
“This world uncertain is,” wrote the Elizabethan poet Thomas Nashe in “A Litany in Time of Plague” (1600). For those who believe that everything happens for a reason, or that a wise and munificent deity governs the universe, the fact framed by Nashe’s line may be easier to bear. Absent such consolations, however, the line itself can be a salutary mantra. Posted above one’s desk or installed in a mobile device, it can remind us that uncertainty is an inescapable part of the human condition. In the words of the Vipassana teacher Jack Kornfield, it can prompt us to “bow to what is.”
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[1] Loren Eiseley, The Unexpected Universe (Harcourt Brace, 1969), 41.
[2] Philip Kapleau Roshi, The Three Pillars of Zen (Beacon, 1965), 174.
[3] Philip Kapleau Roshi, Zen: Merging of East and West (Anchor, 1989), 191.
[4] Ibid., 192.
You said,
That has not been my experience. Instead I met a lot of people who thought they had life-changing insight and wisdom because of meditation but they were delusional. Delusion is possible in all “great spiritual traditions”.
I agree that admitting ignorance and doing it bodily can be most helpful — well, unless one is aware of that and doing it to be proud of being ignorant and humber.
Irony always stings us, eh?
Hey Ben, three more thoughts:
(1) The Grammar of ‘Is’
I just thought about your title: “The world uncertain is”. It sounds like “Yoda” in Star Wars. Or some other mystical creature in more up-to-date movies — maybe it was the Na’vi on Pandora in “Avatar”. Anyway, I am curious why Thomas Nashe (1600) used that grammar — was it acceptable English grammar in the 15th Century or was it poetic license?
Either way, I think Star War’s producer capitalized on the unfortunate reverse-prejudice of “the inscrutable Orient” when he chose Yoda’s Japanese -like grammar. The subtle messages behind our choice of language are powerful — true or not.
(2) Two Flavors of Uncertainty
I agree that understanding “uncertainty” is an important insight. Unfortunately, it can be embraced with either despair or wonder. An abused child grows up expecting and fighting against a predictably uncertain world. Her braced attitude is unfortunately clear. Likewise, an engineer who spends his whole life in analytic, careful, successful control of his life may loose it and become ill, get divorce, and/or loose his life savings and despairingly fall into a keen awareness of “The world uncertain is.” His flavor of Uncertainty is bitter.
Yet coming to a deep and persona understanding of Uncertainty before it is violently taught to us, and instead, understood with wonder and healthy surrender can make it valuable. Funny how different those flavors can be.
(3) Your Photo
Hey, I just noticed your new sacred-robes photo on your “About” page. Yoda would be proud of you. Nice smile. Who snapped the photo? How did the sneak the smile out of you?
Sabio – Thanks for your comments.
“This world uncertain is” is a “poetic inversion.” Inversions in general and Miltonic inversions in particular were common in English poetry prior to 1900, but with the advent of modernism they became archaic and sometimes the object of satire. T.S. Eliot’s “young man carbuncular” in The Waste Land is a case in point. You can read more about this syntactic device at http://www.answers.com/topic/inversion.
The context of Thomas Nashe’s line is the Black Plague, and the other half of the couplet in which the line appears is, “Adieu, farewell, earth’s bliss.” I suspect that for Nashe as well as for he people you describe, the flavor of uncertainty was bitter. However, the aim of the practice of “not-knowing” is, as I understand it, to train oneself to “lean into” uncertainty and its attendant emotions rather than run away from it.
As for meditation and humility, it is demonstrably true that even those who have practiced meditation for many years sometimes show precious few signs of humility. In my experience, however, a felt awareness of emptiness points one toward a humbler view of the self. How far one can proceed in that direction is another matter. Perhaps it depends on where you start from.
Thanks for your comment on the photo, which was taken by my wife.